POTENTIAL ARCHITECTURE
Ambika P3
University of Westminster
35 Marylebone Road - London
10/3/2015 - 19/4/2015
Potential Architecture fuses art and architecture in four site-specific commissions for Ambika P3 by international artists/architects Alexander Brodsky, Sean Griffiths, Joar Nango and Apolonija Šušterŝič. Utilising recycling, craft, and low-tech processes as well as performance, video, sculpture and installation, the works explore the social and material aspects of living environments during the unprecedented large-scale transformation of cities and towns globally.
Potential Architecture draws on the interconnected histories and cultures of renowned practitioners from Russia, Slovenia, Norway and the UK working at the increasingly diverging interface of art and architecture. Each has an interdisciplinary practice that enables heightened responses to ideas of how communities evolve, how social spaces are used and buildings made. Cultivating new ideas and alternative approaches around the built environment, their commissions for the exhibition indirectly respond to a growing critique on the negative effects of property speculation.
Potential Architecture is a collaboration between Ambika P3, the University of Westminster’s Faculty of Architecture and the Built Environment, Faculty of Media, Arts and Design and guest curator David Thorp.
Alexander Brodsky is one of Russia’s best known architects and a sculptor, who was a key member of the paper architects’ movement during the 1970’s Soviet era. He is renowned for projects melding art and architecture using recycled materials such as plastic bags, oil, glass and ice to create new structures and aesthetics. Famous for refusing participation in the state sanctioned production of low-quality, standardised buildings, his practice challenges ideas of of permanence, sustainability and civic pride. His best known works include Vodka Ceremony Pavilion (2004), Settlement at the 2006 Venice Architecture Biennale, and Cistern (2010).
Sean Griffiths is an artist and architect, acclaimed for his controversial visions of architecture influenced by fine art. In 1990 he co-founded FAT, the influential UK architecture practice renowned for its critical approach to art and architecture. His work challenges notions of representation, monumentality and authenticity and is exemplified by FAT projects such as the Blue House in London (2002) and the BBC TV studios in Cardiff (2012) and by his recent work as a solo artist, My Dreams of Levitation (2015), exhibited at RoomArtSpace in London.
Joar Nango is an artist and architect who creates structures relating to indigenous identity and community interaction, influenced by his Sami heritage. His work investigates the boundaries between architecture, design and visual art and has shown at the Norwegian Sculpture Biennial (2013) and the National Museum of Art, Architecture & Design, Oslo (2013).
Apolonija Šušteršič has for twenty years explored the social aspects of living environments as manifested in art and architectural contexts through dialogue with artists, architects, critics and curators, and by encouraging communities to develop their own alternative visions for urban living. She took part in Artes Mundi 5 (2012) and Berlin Biennale (2001).
Image: Lotus international 130, “Alexander Brodsky”, 2007. Phaidon Atlas of 21st Century World Architecture, 2008. Blueprint magazine, June 2007
Ambika P3
University of Westminster
35 Marylebone Road - London
10/3/2015 - 19/4/2015
Potential Architecture fuses art and architecture in four site-specific commissions for Ambika P3 by international artists/architects Alexander Brodsky, Sean Griffiths, Joar Nango and Apolonija Šušterŝič. Utilising recycling, craft, and low-tech processes as well as performance, video, sculpture and installation, the works explore the social and material aspects of living environments during the unprecedented large-scale transformation of cities and towns globally.
Potential Architecture draws on the interconnected histories and cultures of renowned practitioners from Russia, Slovenia, Norway and the UK working at the increasingly diverging interface of art and architecture. Each has an interdisciplinary practice that enables heightened responses to ideas of how communities evolve, how social spaces are used and buildings made. Cultivating new ideas and alternative approaches around the built environment, their commissions for the exhibition indirectly respond to a growing critique on the negative effects of property speculation.
Potential Architecture is a collaboration between Ambika P3, the University of Westminster’s Faculty of Architecture and the Built Environment, Faculty of Media, Arts and Design and guest curator David Thorp.
Alexander Brodsky is one of Russia’s best known architects and a sculptor, who was a key member of the paper architects’ movement during the 1970’s Soviet era. He is renowned for projects melding art and architecture using recycled materials such as plastic bags, oil, glass and ice to create new structures and aesthetics. Famous for refusing participation in the state sanctioned production of low-quality, standardised buildings, his practice challenges ideas of of permanence, sustainability and civic pride. His best known works include Vodka Ceremony Pavilion (2004), Settlement at the 2006 Venice Architecture Biennale, and Cistern (2010).
Sean Griffiths is an artist and architect, acclaimed for his controversial visions of architecture influenced by fine art. In 1990 he co-founded FAT, the influential UK architecture practice renowned for its critical approach to art and architecture. His work challenges notions of representation, monumentality and authenticity and is exemplified by FAT projects such as the Blue House in London (2002) and the BBC TV studios in Cardiff (2012) and by his recent work as a solo artist, My Dreams of Levitation (2015), exhibited at RoomArtSpace in London.
Joar Nango is an artist and architect who creates structures relating to indigenous identity and community interaction, influenced by his Sami heritage. His work investigates the boundaries between architecture, design and visual art and has shown at the Norwegian Sculpture Biennial (2013) and the National Museum of Art, Architecture & Design, Oslo (2013).
Apolonija Šušteršič has for twenty years explored the social aspects of living environments as manifested in art and architectural contexts through dialogue with artists, architects, critics and curators, and by encouraging communities to develop their own alternative visions for urban living. She took part in Artes Mundi 5 (2012) and Berlin Biennale (2001).
Image: Lotus international 130, “Alexander Brodsky”, 2007. Phaidon Atlas of 21st Century World Architecture, 2008. Blueprint magazine, June 2007
