SISTER CORITA'S SUMMER OF
LOVE
Curator: Simon Rees
Govett-Brewster Art Gallery
Devon Street West and Queen Street - New Plymouth (New Zealand)
18/12/2015 - 3/4/2016
The Govett-Brewster Art Gallery and City Gallery Wellington are thrilled to present Sister Corita’s Summer of Love, curated by Simon Rees. It is the first major survey exhibition of the art of Corita Kent staged in New Zealand—and one of a growing number of exhibitions, internationally, that celebrate Sister Corita as an under-discovered heroine of the Pop Art moment.
The exhibition also frames Sister Corita’s work from a regional perspective by presenting a selection of works from the Govett-Brewster Collection by Colin McCahon, supported by loans from the Auckland Art Gallery Collection by Ed Ruscha and Marco Fusinato—alongside a pocket exhibition of graphic works by the Wellington Media Collective. A reconfigured exhibition, curated by Robert Leonard and including new and different support works, will then tour to City Gallery Wellington from July 23 to November 6, 2016.
As her title suggests, “Sister” Corita (b. United States, 1918–86) was a Roman Catholic nun who, from 1936 to 1968, lived, studied, and taught at the Immaculate Heart of Mary in Los Angeles, heading the school’s art department from 1964 to 1968. In 1968, Kent left Immaculate Heart and relocated to Boston, where she lived until her death in 1986. In Boston she is still celebrated for her “Rainbow Swash” gas utility tank mural that is considered one of the city’s most beloved landmarks.
Sister Corita’s work borrowed magpie-like from signs and slogans, popular song lyrics, billboards, product packaging and magazine advertising, transporting messages of joy, faith, love, the power of God, and protest against the political crises of the times. This included the civil rights movement, the wars in Indo-China and South-East Asia, and the assassinations of America’s political leaders. Sister Corita’s sensibilities were encouraged by and proselytised the concerns of what is colloquially known as Vatican II, a movement to modernise the Catholic Church and make it more relevant to contemporary society. The church advocated, among other things, changes to traditional liturgy, conducting the Mass in vernacular language instead of Latin—a powerful shift to English in the case of the American Catholic Church—empowering Sister Corita’s playful and idiomatic use of words.
Sister Corita’s Summer of Love has been enabled by the Sister Corita Art Center, Immaculate Heart Community.
Curator: Simon Rees
Govett-Brewster Art Gallery
Devon Street West and Queen Street - New Plymouth (New Zealand)
18/12/2015 - 3/4/2016
The Govett-Brewster Art Gallery and City Gallery Wellington are thrilled to present Sister Corita’s Summer of Love, curated by Simon Rees. It is the first major survey exhibition of the art of Corita Kent staged in New Zealand—and one of a growing number of exhibitions, internationally, that celebrate Sister Corita as an under-discovered heroine of the Pop Art moment.
The exhibition also frames Sister Corita’s work from a regional perspective by presenting a selection of works from the Govett-Brewster Collection by Colin McCahon, supported by loans from the Auckland Art Gallery Collection by Ed Ruscha and Marco Fusinato—alongside a pocket exhibition of graphic works by the Wellington Media Collective. A reconfigured exhibition, curated by Robert Leonard and including new and different support works, will then tour to City Gallery Wellington from July 23 to November 6, 2016.
As her title suggests, “Sister” Corita (b. United States, 1918–86) was a Roman Catholic nun who, from 1936 to 1968, lived, studied, and taught at the Immaculate Heart of Mary in Los Angeles, heading the school’s art department from 1964 to 1968. In 1968, Kent left Immaculate Heart and relocated to Boston, where she lived until her death in 1986. In Boston she is still celebrated for her “Rainbow Swash” gas utility tank mural that is considered one of the city’s most beloved landmarks.
Sister Corita’s work borrowed magpie-like from signs and slogans, popular song lyrics, billboards, product packaging and magazine advertising, transporting messages of joy, faith, love, the power of God, and protest against the political crises of the times. This included the civil rights movement, the wars in Indo-China and South-East Asia, and the assassinations of America’s political leaders. Sister Corita’s sensibilities were encouraged by and proselytised the concerns of what is colloquially known as Vatican II, a movement to modernise the Catholic Church and make it more relevant to contemporary society. The church advocated, among other things, changes to traditional liturgy, conducting the Mass in vernacular language instead of Latin—a powerful shift to English in the case of the American Catholic Church—empowering Sister Corita’s playful and idiomatic use of words.
Sister Corita’s Summer of Love has been enabled by the Sister Corita Art Center, Immaculate Heart Community.
