GUSTAVE COURBET
Fondation Beyeler
Baselstrasse 77 - Riehen
7 September 2014 – 18 January 2015
The Fondation Beyeler devotes many of its exhibitions to artists whose oeuvre had a determining influence on the development of modern painting. One such key figure in art history is Gustave Courbet, who was born in Ornans near Besançon in the French Jura in 1819 and who died in La Tour-de-Peilz in Switzerland in 1877.
It is 16 years since Courbet’s work was last presented in Switzerland. The exhibition at the Fondation Beyeler, which will include 50 to 60 works, will concentrate on his role as the first avant-garde painter. With his provocative canvases and his emphasis on his individuality as an artist, Courbet developed into a precursor of Modernism who broke with the conventions of traditional academic training.
Featuring self-portraits, representations of women and pictures of grottos and seascapes, the exhibition will highlight Courbet’s innovative use of colour and his strategy of ambiguity. Other themes of the show will be the break with academic tradition and the development of Realism in art, Courbet’s revolutionary impasto painting technique, which expressed his individuality as an artist, and his playful treatment of traditional motifs and symbols.
Courbet’s famous painting L’origine du monde will be at the heart of the exhibition. This will be its first public presentation anywhere in Europe other than France. Dating from 1866, the painting is the unknown masterpiece of the 19th century, a work which few saw at the time but which everyone talked about and which retains its provocativeness even today.
Depicting the springs, caves, steep limestone cliffs and thick forests found in the Jura around Ornans where he was born, Courbet’s landscapes are often combined with representations of the female nude. Human beings, sexuality and untouched nature are united in a fascinating equilibrium. Other canvases centre on the impenetrable darkness of his Jurassian mountain caves, showing him to have been a master of suggestion, a true painter of the invisible. Courbet was an artist who established new pictorial ideas.
The room entitled “Tracks in the Snow”, where Courbet’s snowscapes will be displayed, will show visitors how Courbet, through his painting, transformed colour into an object. Pastose and expressive, yet of a dynamic lightness, the colour white becomes snow in those works, seeming to create its own reality.
The exhibition is a joint project with the Musée d’Art et d’Histoire in Geneva, which will present Courbet’s oeuvre during his exile in Switzerland. Together, the exhibitions in Riehen/Basel and Geneva will form a “Saison Courbet” – a “Courbet season” – beginning in the autumn of 2014.
Image: Gustave Courbet, Le Bord de mer à Palavas, 1854.
Fondation Beyeler
Baselstrasse 77 - Riehen
7 September 2014 – 18 January 2015
The Fondation Beyeler devotes many of its exhibitions to artists whose oeuvre had a determining influence on the development of modern painting. One such key figure in art history is Gustave Courbet, who was born in Ornans near Besançon in the French Jura in 1819 and who died in La Tour-de-Peilz in Switzerland in 1877.
It is 16 years since Courbet’s work was last presented in Switzerland. The exhibition at the Fondation Beyeler, which will include 50 to 60 works, will concentrate on his role as the first avant-garde painter. With his provocative canvases and his emphasis on his individuality as an artist, Courbet developed into a precursor of Modernism who broke with the conventions of traditional academic training.
Featuring self-portraits, representations of women and pictures of grottos and seascapes, the exhibition will highlight Courbet’s innovative use of colour and his strategy of ambiguity. Other themes of the show will be the break with academic tradition and the development of Realism in art, Courbet’s revolutionary impasto painting technique, which expressed his individuality as an artist, and his playful treatment of traditional motifs and symbols.
Courbet’s famous painting L’origine du monde will be at the heart of the exhibition. This will be its first public presentation anywhere in Europe other than France. Dating from 1866, the painting is the unknown masterpiece of the 19th century, a work which few saw at the time but which everyone talked about and which retains its provocativeness even today.
Depicting the springs, caves, steep limestone cliffs and thick forests found in the Jura around Ornans where he was born, Courbet’s landscapes are often combined with representations of the female nude. Human beings, sexuality and untouched nature are united in a fascinating equilibrium. Other canvases centre on the impenetrable darkness of his Jurassian mountain caves, showing him to have been a master of suggestion, a true painter of the invisible. Courbet was an artist who established new pictorial ideas.
The room entitled “Tracks in the Snow”, where Courbet’s snowscapes will be displayed, will show visitors how Courbet, through his painting, transformed colour into an object. Pastose and expressive, yet of a dynamic lightness, the colour white becomes snow in those works, seeming to create its own reality.
The exhibition is a joint project with the Musée d’Art et d’Histoire in Geneva, which will present Courbet’s oeuvre during his exile in Switzerland. Together, the exhibitions in Riehen/Basel and Geneva will form a “Saison Courbet” – a “Courbet season” – beginning in the autumn of 2014.
Image: Gustave Courbet, Le Bord de mer à Palavas, 1854.
