LATE TURNER
Painting Set Free
curated by Sam Smiles
Tate Britain
Millbank - London
10/9/2014 - 25/1/2015
The
exhibition Late Turner – Painting Set Free is the first exhibition devoted to
the extraordinary work J.M.W. Turner created between 1835 and his death in 1851.
Bringing together spectacular works from the UK and abroad, this exhibition
celebrates Turner’s astonishing creative flowering in these later years when he
produced many of his finest pictures but was also controversial and unjustly
misunderstood.
Highlights of the exhibition include such important pictures
as Ancient Rome; Agrippina Landing with the Ashes of Germanicus and Modern Rome
– Campo Vaccino, rarely reunited since first exhibited together in 1839; The
Wreck Buoy 1849; and magnificent watercolours like Heidelberg: Sunset c.1840 and
the seldom-seen Bamburgh Castle, Northumberland c.1837.
The show also brings
together major series of works including a group of unusual square pictures,
casting a light on Turner’s innovative techniques. Newly identified watercolours
of a fire at the Tower of London in 1841 are shown with the spectacular painting
Burning of the Houses of Lords and Commons 1835 and the exhibition concludes
with Turner’s last exhibited pictures from 1850, depicting the classical lovers
Dido and Aeneas. It is a panoramic survey of a bountiful and significant period
of exceptional energy and vigour, maintained despite failing health.
By
taking a fresh look at Turner’s late works, the exhibition sheds new light on
his life and art. Challenging the myths, assumptions and interpretations that
have grown around his later work, it reveals a painter as distinguished by the
broad scope of his knowledge and imagination as he was by his radical and
exploratory techniques, processes and use of materials. As much as he brought
renewed energy to the exploration of the social, technological and scientific
developments of modern life, in such icons of the machine age as Rain, Steam,
and Speed – The Great Western Railway 1844, he remained as deeply engaged with
the religious, historical or mythological themes that linked him to the cultural
traditions of his era.
John Ruskin’s description of Turner as ‘the greatest
of the age’ is brought to life amongst the many large-scale oil paintings,
drawings, prints and watercolours on display at The EY Exhibition: Late Turner –
Painting Set Free, an unmissable exhibition that will redefine ideas of one of
Britain’s greatest and best-loved painters.
Curated by Sam Smiles, Professor
of Art History and Visual Culture, Exeter University, with David Blayney Brown,
Manton Curator of British Art 1790–1850, Tate Britain and Amy Concannon,
Assistant Curator 1790–1850, Tate Britain.
Image: Joseph Mallord William
Turner
Goldau, with the Lake of Zug in the Distance: Sample Study circa
1842-3
Pencil, watercolour and pen on paper
