REPEAT/RECREATE : CLIFFORD STILL'S
"REPLICAS"
curated Dean Sobel and David Anfam
Clyfford Still Museum
1250 Bannock Street - Denver
18/9/2015 - 10/1/2016
As a definitive presentation of a hitherto little-known practice in the work of the reclusive Abstract Expressionist pioneer Clyfford Still, Repeat/Recreate offers a new window into his dramatic artistic vision. In the process, the exhibition also challenges the popular understanding of Abstract Expressionism as an outpouring of impulsive creativity.
Repeat/Recreate presents Still’s serial compositions, which he called “replicas,” exhibited in pairings that span the years from 1925 to 1974. At least 19 works featured in Repeat/Recreate have never been shown publicly, while only one of the exhibition’s pairings has previously been exhibited in tandem. Works from the Detroit Institute of Arts, Glenstone; the Hirshhorn Museum and Sculpture Garden; the Metropolitan Museum of Art; the Modern Art Museum of Fort Worth; the Museum of Fine Arts Houston; the Museum of Modern Art; the Smithsonian American Art Museum; and four private collections are reunited in the display with those from the collection housed permanently at the Clyfford Still Museum (CSM).
Repeat/Recreate: Clyfford Still’s “Replicas” is curated by CSM director Dean Sobel and David Anfam, senior consulting curator at CSM and director of the Clyfford Still Museum Research Center (CSMRC). An exhibition catalogue—the first publication of the CSMRC—contains more than 30 full-color plates, as well as essays by Anfam and Neal Benezra, director of the San Francisco Museum of Modern Art. Repeat/Recreate: Clyfford Still’s “Replicas” is available here.
Often only small divergences are detectible between Still’s replicas, which range from duos to trios. In other instances, an earlier composition is recast with strikingly novel chromatic choices or on a somewhat changed scale. “The mere existence of these replicas throws much of popular culture’s perception of abstract expressionism off balance,” says Dean Sobel. “This exhibition illustrates how paintings of Still, Pollock, Rothko, and Motherwell were not the outpourings of unbridled and fleeting creative impulses but were, in fact, the result of slow, methodical deliberations that could—and would—be recreated in marvelous variations. These vanguard ‘irascibles,’ as they were dubbed in 1950, were more traditional than what many viewers might often suspect. Whether it be Pollock’s poured and drip works, Rothko’s juxtaposed rectangles, Newman’s ‘zips,’ or Motherwell’s Elegies to the Spanish Republic, replication is at the core of Abstract Expressionism as a whole.”
curated Dean Sobel and David Anfam
Clyfford Still Museum
1250 Bannock Street - Denver
18/9/2015 - 10/1/2016
As a definitive presentation of a hitherto little-known practice in the work of the reclusive Abstract Expressionist pioneer Clyfford Still, Repeat/Recreate offers a new window into his dramatic artistic vision. In the process, the exhibition also challenges the popular understanding of Abstract Expressionism as an outpouring of impulsive creativity.
Repeat/Recreate presents Still’s serial compositions, which he called “replicas,” exhibited in pairings that span the years from 1925 to 1974. At least 19 works featured in Repeat/Recreate have never been shown publicly, while only one of the exhibition’s pairings has previously been exhibited in tandem. Works from the Detroit Institute of Arts, Glenstone; the Hirshhorn Museum and Sculpture Garden; the Metropolitan Museum of Art; the Modern Art Museum of Fort Worth; the Museum of Fine Arts Houston; the Museum of Modern Art; the Smithsonian American Art Museum; and four private collections are reunited in the display with those from the collection housed permanently at the Clyfford Still Museum (CSM).
Repeat/Recreate: Clyfford Still’s “Replicas” is curated by CSM director Dean Sobel and David Anfam, senior consulting curator at CSM and director of the Clyfford Still Museum Research Center (CSMRC). An exhibition catalogue—the first publication of the CSMRC—contains more than 30 full-color plates, as well as essays by Anfam and Neal Benezra, director of the San Francisco Museum of Modern Art. Repeat/Recreate: Clyfford Still’s “Replicas” is available here.
Often only small divergences are detectible between Still’s replicas, which range from duos to trios. In other instances, an earlier composition is recast with strikingly novel chromatic choices or on a somewhat changed scale. “The mere existence of these replicas throws much of popular culture’s perception of abstract expressionism off balance,” says Dean Sobel. “This exhibition illustrates how paintings of Still, Pollock, Rothko, and Motherwell were not the outpourings of unbridled and fleeting creative impulses but were, in fact, the result of slow, methodical deliberations that could—and would—be recreated in marvelous variations. These vanguard ‘irascibles,’ as they were dubbed in 1950, were more traditional than what many viewers might often suspect. Whether it be Pollock’s poured and drip works, Rothko’s juxtaposed rectangles, Newman’s ‘zips,’ or Motherwell’s Elegies to the Spanish Republic, replication is at the core of Abstract Expressionism as a whole.”
