THE POWER OF PICTURES
Early Soviet Photography, Early Soviet Film
curate by: Susan Tumarkin Goodman
The Jewish Museum
1109 Fifth Avenue at 92nd Street - New York
25/9/2015 - 7/2/2015
In a country where 70% of the population was illiterate, photographic propaganda often was more valuable than newspaper editorials. Lenin himself declared that the camera, as much as the gun, was an important weapon in “class struggle.” Recognizing that images had the power to transform society, Lenin put photography at the service of the Revolution — thereby serving as a historical demonstration of how artistic and political ambitions can coalesce and fortify one another. The Power of Pictures will illustrate that this work encompassed a much wider range of artistic styles and thematic content than previously recognized.
The exhibition makes clear that the artists who comprised the group Oktober, led by Alexander Rodchenko and Boris Ignatovich, and the photojournalists associated with the Russian Association of Proletarian Photographers (ROPF), such as Arkady Shaikhet and Georgi Zelma, were significantly influenced by avant-garde esthetics and by film in particular. The goal of Oktober was to create images that would force the viewer to see society in a new way, whereas ROPF — which included the majority of prominent Jewish photojournalists — championed a coherent and comprehensive documentation of reality.
In an intimate screening room within the exhibition galleries, films by major directors of the era, including the seminal Sergei Eisenstein film Battleship Potemkin, will be shown. Despite Eisenstein's relative fame, many of these filmmakers have been overlooked or excised from the history of the medium. More than a dozen films will be screened in their entirety on daily rotations throughout the run of the exhibition.
In addition to a stunning collection of photographic and cinematic works, The Power of Pictures features a rich array of film posters and vintage books that employ radical graphic styles with extreme color, dynamic geometric designs, and innovative collages and photomontages. Also presented are examples of periodicals in which major photographic works were published.
Image: Aelita: Queen of Mars, directed by Yakov Protazanov, 1924, USSR, 111 min.
Early Soviet Photography, Early Soviet Film
curate by: Susan Tumarkin Goodman
The Jewish Museum
1109 Fifth Avenue at 92nd Street - New York
25/9/2015 - 7/2/2015
In a country where 70% of the population was illiterate, photographic propaganda often was more valuable than newspaper editorials. Lenin himself declared that the camera, as much as the gun, was an important weapon in “class struggle.” Recognizing that images had the power to transform society, Lenin put photography at the service of the Revolution — thereby serving as a historical demonstration of how artistic and political ambitions can coalesce and fortify one another. The Power of Pictures will illustrate that this work encompassed a much wider range of artistic styles and thematic content than previously recognized.
The exhibition makes clear that the artists who comprised the group Oktober, led by Alexander Rodchenko and Boris Ignatovich, and the photojournalists associated with the Russian Association of Proletarian Photographers (ROPF), such as Arkady Shaikhet and Georgi Zelma, were significantly influenced by avant-garde esthetics and by film in particular. The goal of Oktober was to create images that would force the viewer to see society in a new way, whereas ROPF — which included the majority of prominent Jewish photojournalists — championed a coherent and comprehensive documentation of reality.
In an intimate screening room within the exhibition galleries, films by major directors of the era, including the seminal Sergei Eisenstein film Battleship Potemkin, will be shown. Despite Eisenstein's relative fame, many of these filmmakers have been overlooked or excised from the history of the medium. More than a dozen films will be screened in their entirety on daily rotations throughout the run of the exhibition.
In addition to a stunning collection of photographic and cinematic works, The Power of Pictures features a rich array of film posters and vintage books that employ radical graphic styles with extreme color, dynamic geometric designs, and innovative collages and photomontages. Also presented are examples of periodicals in which major photographic works were published.
Image: Aelita: Queen of Mars, directed by Yakov Protazanov, 1924, USSR, 111 min.
