martedì 25 settembre 2012

GIUSEPPE ZUCCARINO: IL FARSI DELLA SCRITTURA - MIMESIS 2012

GIUSEPPE ZUCCARINO
IL FARSI DELLA SCRITTURA
Mimesis, 2012
collana "Filosofie" 

In questo libro, la scrittura viene mostrata in movimento, nell’atto del suo farsi. I testi della prima parte riguardano opere narrative di Maurice Blanchot, Claude Simon e Pascal Quignard. Più imprevista è la presenza, nella stessa sezione, di uno studio su Roland Barthes, del quale però si prende in esame il progetto di scrivere un romanzo. La seconda parte del volume è incentrata invece sul rapporto fra letteratura e filosofia, ed assume come punti di riferimento ancora Blanchot (considerato stavolta per le sue opere teoriche) e Jacques Derrida. Vediamo quest’ultimo nelle vesti di lettore di due grandi autori novecenteschi, Joyce e Artaud, ma anche impegnato a sognare un’opera sul tema della circoncisione. Non è un caso se, in vari saggi del volume, l’attenzione viene rivolta, oltre che alle opere compiute, al processo stesso dello scrivere, inteso nella sua materialità grafica e nelle correzioni e ripensamenti a cui dà luogo. La scrittura, infatti, tende di per sé a non raggiungere mai totalmente il proprio scopo, configurandosi come una ricerca illimitata, che mira sempre a qualcosa di più rispetto a quanto le è dato di conseguire. 

Giuseppe Zuccarino, nato nel 1955, è critico e traduttore. Ha pubblicato vari volumi di saggi (La scrittura impossibile, Genova, 1995; L’immagine e l’enigma, ivi, 1998; Critica e commento. Benjamin, Foucault, Derrida, ivi, 2000; Percorsi anomali, Udine, 2002; Il desiderio, la follia, la morte, ivi, 2005; Il dialogo e il silenzio, ivi, 2008; Da un’arte all’altra, Novi Ligure, 2009; Note al palinsesto, ivi, 2012) e di frammenti (Insistenze, Genova, 1996; Grafemi, Novi Ligure, 2007). Tra i libri da lui tradotti figurano opere di Mallarmé, Bataille, Klossowski, Blanchot, Caillois e Barthes. 


SIMONE REGAZZONI: SFORTUNATO IL PAESE CHE NON HA EROI - FELTRINELLI, GENOVA 26/9/2012

SIMONE REGAZZONI
SFORTUNATO IL PAESE CHE NON HA EROI
presentazione del volume edito da Ponte alle Grazie
Libreria Feltrinelli
via C.R. Ceccardi 14-16 rr. - Genova
mercoledì 26 sesttembre 2012, ore 18,00 

Perché scrivere, oggi, un libro sull'eroismo? Perché, diciamo la verità, ci siamo trasformati in una "generazione di femminucce". Parola di Clint Eastwood. Domanda: ma di quale eroismo stiamo parlando? Risposta: di un nuovo tipo di eroismo. Un eroismo senza una Causa per cui combattere, che non chiede sacrifici per il bene comune, il bene dell'altro, la patria, l'umanità intera. Un eroismo in cui occorre mettere in gioco una sola Cosa: il proprio singolarissimo godimento - sfidando pregiudizi, buone maniere, regole, norme sociali. In altri termini: la Legge. Compito dell'etica dell'eroismo: fare fuori l'idiota della morale, ligio alla Legge e al dovere. 


lunedì 24 settembre 2012

MAURIZIO CATTELAN - WHITECHAPEL GALLERY - LONDON



MAURIZIO CATTELAN
COLLECTION SANDRETTO RE REBAUDENGO - THINK TWICE
Whitechapel Gallery
77 – 82 Whitechapel High Street - London
25/9/2012 - 2/12/2012

The Whitechapel Gallery presents rarely seen works of art from the Collection Sandretto Re Rebaudengo - opening with a display dedicated to the works of Maurizio Cattelan on 25 September 2012. 
Since the 1990s Patrizia Sandretto Re Rebaudengo has collected contemporary art. One of the most important private collections in Europe, it includes leading international artists such as Doug Aitken, Jake & Dinos Chapman, Thomas Demand, Damien Hirst, Paul McCarthy, Reinhard Mucha, Sarah Lucas, Paola Pivi, Anish Kapoor and Mike Kelley. A series of four displays at the Whitechapel Gallery over one year will show highlights from the collection and draw on its themes. 
Italian artist Maurizio Cattelan is often known as the art world’s joker, using what seem to be stunts to address universal themes including power, death and authority. His memorable sculptures include Pope John Paul II struck down by a meteorite, his staging an exhibition of a ‘back soon’ sign on the door of an empty gallery or reporting a robbery of an ‘invisible exhibition’ to Italian police. His work often blurs the line between art and reality to provoke reaction. 
The Whitechapel Gallery now displays works by Maurizio Cattelan – many not seen in the UK for over 20 years - in the first display from the Collection Sandretto Re Rebaudengo from 25 September – 2 December 2012. The display offers an opportunity to see some of Cattelan’s intimate earlier works. The Whitechapel Gallery Collections programme is supported by specialist art insurer Hiscox. 
Highlights include a sculptural installation featuring a stuffed squirrel which has shot itself at the kitchen table, titled Bidibidobidiboo (1996). Titled after the fairy godmother’s song in Cindarella, it caricatures the idea of childhood innocence. In another sculpture the emblem of the 1970s terrorist group Brigate Rosse is turned into a neon Christmas greeting by Cattelan, while in Il Bel Paese (1995) a cheese naming Italy as ‘a beautiful country’ becomes a rug on which to walk. The idea of art potentially reforming society becomes the butt of Cattelan’s joke, when he makes an effigy of himself dressed in iconic artist Joseph Beuys trademark grey felt suit, hanging by the neck from a clothes rack. 
The presentation of the collection of Patrizia Sandretto Re Rebaudengo is part of the Whitechapel Gallery’s ongoing programme of opening up collections that are rarely seen by the public in the UK. The Collection now has over 1,000 works of art made by both internationally acclaimed and emerging artists over the last 30 years. Key works in the Collection include Damien Hirst’s The Acquired Inability to Escape, Inverted and Divided (1993), Love Me (1998) by Sarah Lucas, Bang Bang Room (1992) by Paul McCarthy and Viral Research (1986) by Charles Ray. Leading artists represented in the Collection include: Doug Aitken, Matthew Barney, Glenn Brown, Jake & Dinos Chapman, Thomas Demand, Hans-Peter Feldmann, Urs Fischer, Andreas Gursky, Thomas 
Hirschorn, Damien Hirst, Sherrie Levine, Paul McCarthy, Reinhard Mucha, Sarah Lucas, Paola Pivi, Anish Kapoor, Mike Kelley, Charles Ray, Cindy Sherman, Rudolf Stingel and Piotr Uklanski. The series of four displays will include many works of art shown in Britain for the first time in many years. The displays are shown in the dedicated Collections Gallery. Following the first presentation of works by Maurizio Cattelan, three further displays of sculpture and photography will explore other key themes in the Collections, from 15 December 2012 – 10 March 2013; 19 March– 9 June 2013; and, 18 June – 8 September 2013. 

Maurizio Cattelan was born in Padua, Italy, in 1960. He has exhibited at Skulptur Projekte, Münster (1997), the Tate Gallery (1999), the Museum of Contemporary Art, Los Angeles (2003), and participated in the Venice Biennale (1993, 1997, 1999 and 2002). He received an honorary degree in Sociology from the University of Trento, Italy, in 2004, and was also awarded the Arnold-Bode prize from the Kunstverein Kassel, Germany, the same year. He lives and works in New York and Milan. 

For over a century the Whitechapel Gallery has premiered world-class artists from modern masters such as Pablo Picasso, Jackson Pollock, Mark Rothko and Frida Kahlo to contemporaries such as Sophie Calle, Lucian Freud, Gilbert & George and Mark Wallinger. With beautiful galleries, exhibitions, artist commissions, collection displays, historic archives, education resources, inspiring art courses, dining room and bookshop, the Gallery is open all year round, so there is always something free to see. It is a touchstone for contemporary art internationally, plays a central role in London’s cultural landscape and is pivotal to the continued growth of the world’s most vibrant contemporary art quarter. The Gallery does not own a Collection, but has a dedicated gallery for showing collections rarely seen by the public, including five displays from the British Council Collection from April 2009 – May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 – May 2011; and five displays from the Government Art Collection, from June 2011 – September 2012. 

Patrizia Sandretto Re Rebaudengo graduated in business studies and economics at the University of Turin, following which she initially worked for the family business. She started collecting contemporary art in the early 1990s and it was her passion for supporting artists by being involved in the production of new works and the lack of exhibition spaces dedicated to young emerging artists in Italy that led her to set up the Fondazione Sandretto Re Rebaudengo in 1995, of which she is President. She is an active patron of the arts and charities, as a Member of the International Council and Member of the Friends of Contemporary Drawing at the Museum of Modern Art, New York (since 1996); Member of the International Council, Tate, London (since 1997); Member of the Leadership Council, New Museum, New York (since 2007); Member of the Advisory Committee for Modern and Contemporary Art, Philadelphia Museum of Art (since 2008); patroness Italian Red Cross (since 1992). She was awarded the title Ufficiale della Repubblica by the Italian State in 2005 and Chevalier dans l'ordre des Arts et des Lettres by the French Ministry of Culture in 2009. Patrizia Sandretto Re Rebaudengo is married with two children, and lives in Italy. 
Fondazione Sandretto Re Rebaudengo is under the artistic directorship of Francesco Bonami. The Fondazione was housed at the Palazzo Re Rebaudengo in Guarene d’Alba, a small town outside Turin, and has commissioned and shown leading artists including: Doug Aitken, Damien Hirst and Shirin Neshat. In 2002 the Fondazione opened its current headquarters, a 3,500 square metre centre for contemporary art in Turin, designed by Claudio Silvestrin, with a gallery space, bookshop, auditorium, educational department, cafeteria and restaurant. The centre presents exhibitions of local, national and international artists for many different audiences and ages with a wide-ranging programme of activities and events (films, talks, music, theatre, performance and dance). The Fondazione also organises a Young Curators Residency Programme and an annual Prize (Premio StellaRe) honouring women’s achievements across the world. www.fsrr.org 

FOR PRESIDENT - FONDAZIONE SANDRETTO RE REBAUDENGO, TORINO



FOR PRESIDENT 
a cura di Mario Calabresi e Francesco Bonami
Fondazione Sandretto Re Rebaudengo
via Modane 16 - Torino
dal 19/9/2012 al 6/1/2013 

Ogni quattro anni il mondo segue con il fiato sospeso la lunga corsa alla Casa Bianca: le Elezioni Presidenziali, pur essendo un affare tutto americano, sono l’evento politico che più di ogni altro influenza le sorti economiche e politiche del resto del mondo. Le campagne elettorali americane sono nella loro specificità eventi di grande teatro, forte emotività e laboratori di strategia mediatica. Partendo da John Fitzgerald Kennedy, il primo presidente che ha raggiunto il resto del pianeta attraverso i media televisivi, For President ripercorre la storia delle diverse campagne elettorali utilizzando il fotogiornalismo, l’arte contemporanea e la grande produzione di gadget e pubblicità dei vari candidati. 
Negli spazi della Fondazione le opere degli artisti che si sono ispirati alle elezioni per la loro ricerca si mescoleranno con le immagini storiche dell’agenzia Magnum, la più prestigiosa e antica cooperativa di fotografi al mondo. 
La mostra sarà anche l’occasione per un viaggio nel mondo coloratissimo e affascinante della propaganda: dagli spot pensati per promuovere la propria immagine o per distruggere quella degli avversari, ai manifesti, alla grande produzione di gadget di ogni tipo. 
Presentando centinaia d’immagini fotografiche, scattate da anonimi fotografi o da indiscussi maestri della fotografia, video ed installazioni, For President è la prima mostra in assoluto ad essere dedicata a ogni aspetto delle elezioni presidenziali. 
La mostra accompagnerà gli ultimi due mesi di campagna elettorale con conferenze, proiezioni ed eventi speciali, fino a culminare il giorno dell’elezione del 45mo presidente, il 6 novembre 2012. Per l’occasione lo spazio della Fondazione Sandretto Re Rebaudengosi trasformerà in una eccezionale sala stampa dalla quale il pubblico potrà seguire i risultati in diretta del più importante evento politico dell’anno. 

Fotografi in mostra: Cornell Capa (1918 - 2008) | Eve Arnold (1912 - 2012) | Burt Glinn(1925 - 2008) | Bob Adelman (1931) | Constantine Manos (1934) | Elliott Erwitt (1928) |Raymond Depardon (1942) | Erich Hartmann (1922 - 1999) | Paul Fusco (1930) | Abbas(1944) | Alex Webb (1952) | Richard Kalvar (1944) | Gilles Peress (1946) | René Burri (1933)| Philip Jones Griffiths (1936 - 2008) | Bruno Barbey (1941) | Thomas Hoepker (1936) |Martine Franck (1938) | Jim Goldberg (1953) | Thomas Dworzak (1972) | Eli Reed (1946) |Paolo Pellegrin (1964) | Alex Majoli (1971) | Christopher Anderson (1970) | Thomas Dworzak(1972) | Alessandra Sanguinetti (1968) | Bruce Gilden (1946) 

Artisti in mostra: Max Almy, Oakland (CA), 1948. Vive e lavora a Los Angeles | Jonathan Horowitz, New York, 1966. Vive e lavora a New York | Antoni Muntadas, Barcellona, 1942. Vivee lavora a New York | Marshall Reese, New York, 1955. Vive e lavora a New York | FrancescoVezzoli, Brescia, 1971. Vive e lavora a Milano | TVTV, collettivo fondato nel 1972, SanFrancisco (Allen Rucker, Michael Shamberg, Tom Weinberg, Hudson Marquez e Megan Williams)| Ramak Fazel, Iran, 1965. Vive e lavora a Los Angeles | Yang Pei-Ming, Shangai, 1960. Vive e lavora a Dijon (Francia). 

VIENNA ACTIONISM - WALTHER KOENIG 2012

EVA BADURA-TRISKA - HUBERT KLOCKER (eds.)
VIENNA ACTIONISM
Art and Upheaval in 1960s Vienna
Walther König (August 31, 2012) 

Vienna Actionism was the most extreme artistic project of the 1960s, mostly preceding and always surpassing the other performance art, body art and happenings in terms of sheer violent excess. Though never officially a group, Günter Brus, Otto Mühl, Hermann Nitsch and Rudolf Schwarzkogler shared a similar reaction to the restrictive political and cultural climate of the Austrian art scene of the 1950s and 1960s. They established the body as a site of exploration, and its blood, sweat and excrement as art material: performance as the transgression of both social and religious taboo, and art itself as a violent, tragic recognition of brute fact. Others, such as Kurt Kren, Ernst Schmidt Jr., Valie Export and Peter Weibel, used the medium of video and film to critique the repressive aspects of language and mass media, and the Wiener Gruppe (Friedrich Achleitner, Konrad Bayer, Gerhard Rühm, Oswald Wiener) saw language as a visual and acoustic material, and transformed it into collages, happenings and "literary cabarets." This landmark publication includes 1,400 color images, biographies and an illustrated chronology and index of all the "actions," literature and films of the movement now recognized as one of the most significant contributions to postwar European art. This volume will be the standard reference work on Vienna Actionism for years to come. 

DEVIN FORE: REALISM AFTER MODERNISM - THE MIT PRESS 2012

DEVIN FORE
REALISM AFTER MODERNISM
The Rehumanization of Art and Literature
The MIT Press (September 14, 2012)
October Books Series 

The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realistic depictions of the body and experimental literary techniques were abandoned for novels with powerfully individuated characters. But the celebrated return of the human in the interwar years was not as straightforward as it may seem. In Realism after Modernism, Devin Fore challenges the widely accepted view that this period represented a return to traditional realist representation and its humanist postulates. Interwar realism, he argues, did not reinstate its nineteenth-century predecessor but invoked realism as a strategy of mimicry that anticipates postmodernist pastiche. Through close readings of a series of works by German artists and writers of the period, Fore investigates five artistic devices that were central to interwar realism. He analyzes Bauhaus polymath László Moholy-Nagy's use of linear perspective; three industrial novels riven by the conflict between the temporality of capital and that of labor; Brecht's socialist realist plays, which explore new dramaturgical principles for depicting a collective subject; a memoir by Carl Einstein that oscillates between recollection and self-erasure; and the idiom of physiognomy in the photomontages of John Heartfield. Fore's readings reveal that each of these "rehumanized" works in fact calls into question the very categories of the human upon which realist figuration is based. Paradoxically, even as the human seemed to make a triumphal return in the culture of the interwar period, the definition of the human and the integrity of the body were becoming more tenuous than ever before. Interwar realism did not hearken back to earlier artistic modes but posited new and unfamiliar syntaxes of aesthetic encounter, revealing the emergence of a human subject quite unlike anything that had come before. 

ILARIA DORIA: ARIA - PALAZZO DELLA BORSA, GENOVA 25-30/9/2012



ILARIA DORIA
ARIA
Palazzo della Borsa
Via XX Settembre 44 - Genova
dal 25 al 30 settembre 2012 

Martedì 25 settembre, ore 18.30 a Palazzo della Borsa, l’Accademia Ligustica di Belle Arti e la Camera di Commercio di Genova, in collaborazione con la Fondazione Edoardo Garrone, inaugurano la mostra Aria con le opere della pittrice genovese Ilaria Doria. 
L’esposizione propone 12 oli e acrilici che fissano sulla tela, con padronanza tecnica, finestre intere - chiuse, socchiuse, con le ante appena accostate – o soltanto frammenti di finestra, che con pochissimi colori che tendono all’astrazione diventano metafore solitarie di un vincolante e silente quotidiano esorcizzato pennellata dopo pennellata, e proiettato in dimensione di respiro e fuga. 
«Il momento di Ilaria Doria è anche il momento di Genova, che in questi anni ha visto una grande fioritura di eventi legati all’arte contemporanea, sia negli storici palazzi pubblici che nelle tante e vivaci gallerie private che animano il nostro centro storico» racconta il presidente della Camera di Commercio genovese Paolo Odone. 
Numerosi gli apprezzamenti di personaggi conosciuti nel panorama dell’arte ligure a sostegno dell’artista genovese, tra cui gli artisti Raimondo Sirotti e Cesare Viel e il direttore dell’Accademia Ligustica Giulio Sommariva. 
La mostra rimarrà aperta fino a domenica 30 settembre, dalle 10.00 alle ore 19.00. L'ingresso è libero.